Many of us are experiencing a little Downton withdrawal. For me the series has been fast and furious. Like many love affairs, it came on suddenly then seemed over just as it began.
Part of the appeal, of course, are the homes, Highclere Castle being somewhat the star of the show, though, naturally, I prefer the cottage. I never seem to be able to just sit and enjoy this sort of thing, always my brain is click, click, click. What was the process of production design? How much was the house altered? Could it be that most are sets?
So I rang Donal Woods, the production designer for the show, and asked. (That’s normal, right? You would have done that, maybe?) “We moved out a lot of the furniture – about fifty-percent. We added palms and personal affects, removed the modern portraits and things,” said Woods.
“It was time to do a piece for the twentieth century; we’ve done Austen. We’ve done Georgian and the 18th century to death. We started looking for a house in 2009. We looked at about thirty houses; some were too big and some were too small,” he paused, “It’s a great job, really.” I’d say. Wood said they made a point of providing stark contrast between the family’s rooms and the servants’ spaces, “We only used three-to-four colors downstairs; we wanted the contrast to be dazzling.”
Woods said that screenwriter, Julian Fellowes, provided notes, character outlines and the first script to inspire the set. I’d assumed that the public rooms of the house were authentic, but that the bedrooms were likely sets, though this is not the case. A few of the rooms are sets, but mostly the series was filmed in the house. The girls’ rooms are particularly telling. Sybil’s room is a sunny yellow with wonderful floral curtains. Fresh and vibrant like its mistress.
“Edith,” says Wood, “is a plain girl. She has a plain room.” Indeed, though its paint is particularly lovely with her coloring.
But it was Mary’s wallpaper that sent me down this path. In every scene that it appears I can barely keep my eyes on the actors (except for that dashing Kemal Pamuk – on him, I focused.) Blood red with a creamy floral pattern, it seemed perfectly fitting for Mary, but an unlikely choice for a young lady of her day. The team considered other options, but “It’s pushy, strong, passionate. Like Mary.”
Downton Abbey has just finished running on PBS’s Masterpiece, but you can see the series on-line at PBS.org or purchase it on iTunes. More information on Highclere Castle here. Woods reports that season two has just begun filming.
All images via PBS.org.
I am going to have to finally find out how downloading on itunes works! LOL!
Time for a field trip!
If only we could watch it together…on the edge of our seats taking love notes. I'd bring the popcorn.
pve
a decorator sleuth – thanks for the run-down on the production set – just the thing to fill the Downton Abbey withdrawal – I came late the program and watched it all in a week – back episodes on the computer and then the final on the telly. This is a little extra treat
How clever of you to actually call Woods! Always love a girl with initiative. Of course absolutely adored this since I am also experiencing Downton Abbey withdrawal – I was on the exact same wavelength today.
I didn't get to see the series, but the house looks amazing, we'll be sure to visit when we spend the month of May in England.
Fabulous post. Thank you. Any chance you know or could find out the paint color in Edith's room?
LOVE, LOVE, LOVE Downton Abbey and SO very sad it is over. Cannot wait for season 2…btw you can purchase the DVD on Amazon for $16.99!!!!
Was it really just that simple? You called and asked? How cool is that? I'm glad you did. The men in my house weren't interested in Downton Abbey AT ALL, so that'll be me under the covers with my laptop.
Absolutely LOVE this series – can't wait for season two. Thanks for your post today – I, too, have been drawn to the beautiful decor of Downton Abbey.
I just finished with the final episode in this first series. I was relieved to see that they are in production for more episodes. I loved the home and the cottage. In fact the main manor house seemed to feel more inviting than so many estates I've seen either in movies or on historical series such as Downtown Abby. Thanks for sharing the details behind the houses.
Karen
This was most enlightening — I'm positively giddy 😉
Of course you called him, what else, after all, is a gal to do when she wants to get to the bottom of a thing?
Set design = a dream job with no equal.
Cheers, Alcira
nerochronicles.com
Yes the four episodes seemed to make January fly by. Or was that the football playoffs? At any rate, I enjoyed the series and it left me wanting more as any good production should. As an Anglophile, I was pleased with the show but found it to be at a rather fast pace and the final episode left more unsolved story lines than a Lost finale.
I want that red settee/sofa.
Looks like it starts streaming through netflix on February 9th…will have to check it out!
yes, loved it as well even though there was NO resolution at the ending – indeed a huge cliff hanger rather!
I too preferred the 'cottage' that the cousin lived in -even to the beautiful house the dowager countess, maggie smith, lived in!
Thank You so much for this bit of insight.
We, too, are sad to see the season end.
But we have been watching all three seasons (we finished last night) of The Tutors.
Bravo, Patricia, for supplying us answers to those
burning questions. Glad to know that I'm not the only
person on the planet distracted by set decoration
and how historic family houses are used as film locations.
It was a relief for once not to see Syon House as a setting~ distinguished though it may be, it's been overused in the past decade. Highclere was a stroke
of brilliance.
Loved the smaller house that the heir apparent was
relegated to. Could move right in without a thought.
So, I turned it on. The credits started to roll. I asked myself 'Do we realllly need another British drama filmed in a country house with lots of master/servant intrigue and slavish attention to period details?" My answer was about to be "I think not", when the first scene started, and I was irrevocably hooked–line and sinker. Absolutely wonderful. Turns out we did need another one.
Oh my goodness, I was in the grip of Downton Abbey fever this past week and saw all four episodes on the PBS website. The interiors are to die for and I was also quite taken with this wallpaper!!! Thank you for sharing these little Downton details with us…Much appreciated.
I was fascinated by Lady Mary's wallpaper, also. The choice was perfect for a young woman on the brink of passion. And the clothes! Oh, the clothes! Visual poetry.
And I want to live in the cottage. With Matthew. And his mother!
Everyone I know has been raving about this series. Guess I'm headed to iTunes!!
I need to watch this again with the sound off just to concentrate on the breathtaking sets. Surely this will win an Emmy for set design. It is pure eye candy.
I need to watch this again just to concentrate on the breathtaking scenery. Surely this will win an Emmy for set design. Pure eye candy.
Netflix has the original seven episodes, which may mean more to watch or not. FYI.
Once again you inspire me but this time to discover a wonderful show. Thanks so much!
i am catching it when i can….
it is wonderful.
x renée
Way to go! Love your drive to dig in deep!
Only you could have thought of calling the production
designer….
Great story! I certainly have a withdrawal syndrome after it is all over!
Can't wait for season II !
Victoria
Patricia, did you get an comments on the production design of Lord and Lady Grantham's bedroom? For some reason, that room doesn't ring true to me.
I feel absolutely bereft now that it's over. Sunday nights are pale and boring. I downloaded it on itunes and watched the whole thing all over again. Thanks for stirring the dreamplace again!