Jumbled

Last week my youngest came through the front door and headed straight to the electronic heaven/hell that we recently moved to my oldest’s bedroom.  (It’s a small house.  If you take up residence somewhere else for nine months, you should expect to find your space modified when you get back.)  I wandered in after him and asked, “Do you like the living room?”

“Huh?” he said.  “Sure.  I told you already.” He did, with some effort, provide a little eye contact as he waited for his game to load.

“So you noticed it’s different?” I said as I leaned against the doorjamb.

“You moved some stuff to the cabinet where the TV used to be,” he said with confidence.

He was referring to Stage One of Moving the Television Out of the Living Room, which had played out the week before.  We rarely watch TV and the boys had mentioned that they wanted a place with a little more privacy to play games with their friends.  We consulted the oldest about moving the TV to his room. (I have forbidden TV in their rooms, so they must all think I’m either softening or losing my mind.) He said, “Yeah, sure.”

I looked calmly and steadily at my youngest, his thumb poised over the controller.  He began to squirm a little.

“I moved the entire room around,” I said.  “Every single piece of furniture is in a new place.” I smiled. “You walked right through and didn’t notice.”

He’s the youngest, as I mentioned, so he knows how these things go down.  He put the controller on the floor and said, “Oh, let’s go look!”

Do not for a moment think that this was a reflection of his interest, or even good breeding. What he knew was that this was where I was headed and it would be much faster to look, comment politely and get back to his game.

I had moved the furniture around late one night.  There’s only one long wall and, while the television resided in this room, that was the only place for it to live.  This meant the sofa had to be across from it, which meant the sofa was in front of the window.  Rosie and Dexter loved this as it made a perfect perch for watching squirrels and the mailman. They know dogs are not allowed on the sofa, but if you put it right under the front window, well, what do you expect? I wasn’t happy with this arrangement.  Moving the television meant that I could make sense of this room and how it wanted to be. I could create a little order.

 Moving the sofa, chairs, chest and tables myself is such a normal activity that it’s not worth mentioning.  I slid them all around a few times until I thought I’d sorted it out.  The problem was that the completely full bookcase in the back corner needed to move to the other side of the room.  I thought, with great confidence, that I may be able to slide it.  I wrapped my fingers around the supports of the lower shelf, the cool edges pressing into the pads of my fingers, and pulled.  Of course, it did not budge.

This was late in the game, well after midnight, and I was starting to get testy.  Still, I wanted it settled before I went to bed. I decided to begin taking books from the top shelf and work my way down until I’d removed enough to be able to slide the piece.  Grabbing books by the handful or pressing sections between my hands, feeling the muscles across my shoulder blades contract, I began to pile books on the sofa.  With every clean shelf I would try to move the bookcase again.  When only the books on the bottom shelf remained, it relinquished its grip on the southeast corner and slid four inches north.

Once I had the bookcase in place, I turned back to the sofa and the piles of books upon it.  All the books that I keep mean something to me, but I’m less attached to the ones in the living room.  The books that matter most are in my bedroom and they are as important to me as my jewelry.  The books in the living room are not worn or dog-eared.  Either I need them as companions, or I believe I will read them again, or I think I will loan them to a friend. I always arrange them the same way.  It’s not so much by genre, as how they relate in my mind: the books I loved in childhood, fiction and biographies that touched a nerve, a smattering of mysteries.

I did not have the energy to sort all that out at one o’clock in the morning, nor did I want to leave a mess. I piled them back on the shelves willy nilly and that is how they remain.  The youngest did not comment on this as he surveyed the new arrangement.  He either didn’t notice (which is likely) or was in a hurry to return to his game (which is certain).  “This is great,” he said.  “Before, you saw the TV first thing when you walked in and it made it seem like we are about TV, which we’re not.  This is better.”  Then he headed back to defeat his virtual enemy, unaware of the irony.

All week I’ve thought I would pile the books on the sofa and begin to logically sort them back on the shelves.  Yesterday, my mood as grey as the weather, I sat and looked at their disorderly piles.  The rest of the room is twinned.  I tend to buy pairs and this leads to a case of over-symmetry that I always have to work to stir up.

In my gloom, I decided to leave the bookcase as it is. Not because I lacked the motivation, but because it’s more interesting like this.  The comfortable memories of childhood rest upon mysteries.  Love stories touch tragedy.  Enduring works mix with entertaining nonsense that will soon be forgotten.  Everything is still there and I will be able to find what I’m after. Perhaps it’s better to show a little chaos rather than lining everything up in neat rows.

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Live an Extraordinary Life

I was aware of India Hick’s book, Island Style, which was published earlier this year, but I hadn’t picked it up.  There are some design books that I buy because they enable me to clean out a pile of tear sheets (though, honestly, I rarely do the cleaning out.) Some I get because they offer me a new perspective from the designer.  Magazine features are, after all, short. Books often give designers a little more room to talk.

I wanted these familiar images of Hick’s home on Harbour Island in the Bahamas,which she shares with her partner and five children. I wanted them as a reminder of how one can hold on to one’s past, both burnished and blemished, and fold it in with the ever-evolving present.  Her home reminds me that the best of old can be mashed up with not only the new, but with organic pieces that hold energy of memory and experience.

Once I had the book, however, I found myself delighted by the narrative.  It’s refreshing that Ms. Hicks has written the copy herself and that she has such an engaging voice.  “In the beginning, everyone wanted a pure design book,” Hicks told me.  “But I didn’t want to write about the color of the walls.  I wanted to write the emotional journey of living with design.”


Hicks is sentimental.  Many pictures include descriptions of where or how something has come to her. Nearly everything has a story.  Along those lines, she has saved a collection of envelopes from over the years.  I was struck by the variety of ways that people addressed her.  Miss, Ms. Mrs. (though Ms. Hicks has not married her partner, David Flintwood, of over twenty years.) It is as if some folks can’t quite figure out how she fits in the world as she has followed an untraditional path.
She has done the figuring out for herself. The book includes stories of travel and travail. “I’ve led an unexpected life,” she says.  “Sometimes my mother’s history and my father’s success in his life of design made it difficult to find my own way.  Travel was the best education.  It gave me a different understanding of the world and helped me find who I was as a designer.  Coming to the Bahamas enabled me to find my own voice and my partner, which eventually led me to the courage to say, ‘I am a designer.'”

Hicks has designed homes and bedding and fine jewelry in the past. Now she is in the midst of launching a new business.   “I had stretched as a person.  I used to think I’d grown quite a bit, but I didn’t want to stop.  I wanted to keep growing,” she says. To this end, she has launched a product line currently consisting of jewelry, bags, beauty products and accessories. Rather than focusing on retail locations, she is developing local partners, or “ambassadors,” to rep the products.

“It’s no longer just about me and my team.  There are currently about five hundred women – an amazing community – who are with us starting businesses of their own.  Many smart and accomplished women take on the roles of wife and mother and lose who they are.  We are able to work together to take that back without the expense of their other roles.”

If you follow Hicks on Instagram, you’ll see that she is on a tour of the States that looks fun and energetic, but also grueling.  “I feel like I haven’t slept for a year,” she says.  “But I’m fueled up by it.”

You can find more about the book, the new line and Ms. Hicks’s life here.

The top three images – excluding the fuzzy one, which is mine – were photographed by the ever charming Miguel Flores Vianna. The long table photographed by Vince Klassen and the portrait is Brittan Goetz. All are courtesy of Rizzoli.  The final image I swiped, with good intent, from the site.

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On the Grid

When I am writing for work the words flow just fine.  When I am writing here, which I think of as running scales, snapshots of my life transform into paragraphs quicker than I can tap them out. Often they are lost, left on the conveyor belt of the grocery store or the pillow on which I laid my head to recover from a rare and ridiculous hangover.

Peacocks

But the story that I want to tell, of how home has affected me since I was small, sticks.

Orange Blossoms
I’ve written long hand, which is my preference. I’ve written on my desk top computer, staid and stationary.  I’ve written on my laptop in different rooms of my house as well as parks and coffee shops, wandering to find my muse.  But when I read back over what I’ve written there’s no rhythm.  
Show Off (Peony)

Plodding and pedestrian, I only keep it as some sort of pre-writing that has captured facts that I don’t want to lose.  I don’t want to admit that it was a waste.  Of time.  Of energy.  Of ink.

Mums the Word (Chrysanthemum)

Sitting at the large round table in my dining room to paint is different.  It is not effortless and there are lots of mistakes and many starting overs, but I am finding lightness here.  Here, I find my groove.

Roly Poly

Painting feels as natural and essential as writing has in the past. I am trying to open myself up to it and stop judging what I should or should not be doing.

Dancing Girl

The boys and dogs don’t notice a difference. At least they have not mentioned that the writing mess of legal pads and pages of text scratched through with my thick black pen has been replaced with canvas and brushes and small bottles of paint.  If they’re aware that I pull on the same tattered and splattered jeans every day and that my hair is always in a ponytail, they’re not concerned.  Their trains, as it were, are still running on time. Mine, too, I suppose.  It’s just running in a different direction.

Something to Crow About

KC Needlepoint has very graciously offered to feature my work for the month of October.  This is the first group of canvases; I’ll post the rest when they are available. You can find them on their site, here.  If you have questions, please feel free to email or comment here.

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Gentleman Caller

     
       He’s large.  Far bigger than the other spiders who hang around
here.  If he were closer he might be scary, but he stays on the far end of
the porch having spun his web just over the swing.  He’s smart, of course,
as the light from the big window nearby draws all he needs to nourish. I don’t
think he means me any harm, though others might see it differently.  I
have no interest in shooing him away or dismantling his web. One could argue
that he’s doing me a favor, ridding me of all those bugs.  He amuses rather
than frightens me, as he draws his long legs up and makes himself, in his mind,
invisible, though his body, which is as big as my thumb, is in clear view. I
talk to him as I come and go.  The jingle
of my keys no longer startles him.  We
watch to see what the other will do next.

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