Feeling Blue

If you’ve stopped here very often, you’re aware that I don’t cook.  That is to say I do cook, but I do it badly and inelegantly and only out of necessity and rarely with joy. Someone said to me once that she dusted her cooktop and I crossed my fingers behind my back that I would get there eventually.

But I love to bake.  While I make the same ten recipes for dinner in a pretty regular rotation, I’m fearless when I bake.  Cakes, cookies, pies, tarts.  When I cook, I often realize I’ve skipped steps or left out ingredients. When I bake, I’ll sift, grate, blanch, peel or candy with care.

I had not used a Kitchenaid mixer until about ten years ago.  I grew up with a hand mixer (my mother was a terrible cook and baker, so we’ve evolved a little.) With it, I made cookies and brownies and cream puffs that looked like swans.  As an adult I did the same and could not see the appeal of this behemoth of the kitchen counter.  I thought it was another affectation of cooking like an egg separator or a mat with concentric circles that tells you how far you need to roll the dough for your piecrust.

I was wrong.  Once I lived with a Kitchenaid, I understood that it was one of the few devices that make the process better.  Whether whipping or mixing, it was well worth the exercise of lugging it from under the island onto the counter.

When I moved, the Kitchenaid did not come with me and I was without one for about nine months.  I told myself it was a needless expense.  I told myself I could live without it.  I told myself that I had been happy with a hand mixer before and I could be happy with one again.

What I found was that I stopped baking.  I tried a couple of times, but my rhythm was off.  I can see now that it was a combination of a few things.  Baking and cooking are physical acts.  The way we move about the kitchen is a dance.  If you watch a practiced cook or baker, you can see that it is like ballet.  As with anything, routine helps us find our grace there.  It takes a while in a new space for our fingers to find the spatula without looking.  It takes a while to open only one drawer in search of the knife.  It takes a while to know that the oven heats at a ridiculously slow pace and runs just a couple of degrees hot.

I realized, too, that once we know better, it is difficult to go back.  So I decided to invest in a mixer.  The previous Kitchenaid, which I did not choose, was white.  If I had chosen it, it would have been white.  Or maybe black. I read and hear funny things in my life that snap into my brain like Legos.  Advice on style or living can come from any random place and become part of my canon.  I was a child when I saw the movie Thoroughly Modern Millie. In it Mary Tyler Moore’s character, while discussing cars, says that machines should only be black or white. For whatever reason, as I lay on my stomach on orange shag carpet with my chin in my hand, I thought that sounded right.  Not just sensible, but chic, though I didn’t know that word at the time.

When I went to buy my mixer, I planned on black or white. I do not get a thrill from cooking stores, as some people do, and my main objective is to get what I need and get out as quickly as I can.  But the day I went to buy my mixer, I could not leave the spot at the back of the store where they were displayed.  I had gone to determine which size I needed, but was enchanted by their shiny, candy colors.  I knew already that he would live on the counter; I did not want to bother with the charade of hiding him.  Suddenly, the question was not if there would be color, but what color it would be.  I considered red, which is a color that I love, but there was simply too much jump.  It was, unsurprisingly, the turquoisey-not-quite-robin’s-egg blue that I could not shake. Even after learning that it was on back-order – I would have to wait a little longer – nothing else would do.

In this particular case, my instincts were good.  The turquoisey-not-quite-robin’s-egg blue makes me smile every morning as he greets me.  And I am baking again.  My middle son is a baker, too, and we made cinnamon rolls for the first time Thanksgiving morning.  He told me yesterday that he wants to try lemon poppyseed muffins, though he’s never had lemon poppyseed muffins, he likes the idea of them.  It seems silly to say that a mixer changed my life for the better, but in a very small way, it did.

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Glamp On

A friend emailed me and another friend a couple of months ago and the subject line was “Glamping.” We had traveled short distances together before: Columbia (Missouri), my house, her pool. You may remember that I don’t particularly like to be outside, but I am making an effort to try new things.  Being anywhere with these women is always a good idea. Sleeping in a tent (that someone else put up) with three queen-size beds seemed best case for camping.  Glamping.

But the week was busy, and as the day neared the demons began to whisper, “You don’t have time.  This needs attention.  You haven’t even gotten to that.” And I wavered.  Each woman responded with a calm voice.  “It’s vacation. Don’t suffer. We know you don’t like to suffer.” “We’re not in a hurry. Take your time.”
And we did.  We stopped first at Louisville Cider Mill, the sort of place I would have taken the boys when they were little.  I had not quite shaken the buzz of fret in my head and I thought, “What the heck are we doing here?” But it was a beautiful day and we stood in line with dozens (hundreds?) of happy strangers for warm apple cinnamon doughnuts, which apparently are medicinal, because after the first bite everything was better.  I was all in.  And suddenly Louisville Cider Mill was the best and smartest thing going.
We ate at El Potro Mexican Cafe in Paola (we were the only customers, but from the size of the bar I have a feeling they do a killer business after dark) where the margarita was delicious. (I ordered the premium tequila.  It was vacation after all.)  There are a few antique shops in Paola which were filled with lots of vintage goodies.  And while I am infamously good at spending other people’s money – “Don’t you think you need that?”- they both refrained, while I indulged.  (Not a total surprise.)
And then we headed to Hoot Owl Hill. Brenda and Steve Wrischnick opened a new chapter in their lives when they built their house on this hill and decided to share it with strangers who want to enjoy the view and some good home cooking and a little time away from the city. We enjoyed the butterfly garden and the guinea hens and hanging out in the sun talking for hours. (When I’m really relaxed I sit sideways in chairs like this.  I hadn’t realized I was doing here and am so glad to have this picture.)

When the sun set we sat around a huge camp fire and talked and laughed some more, until even the fear of the chill could not make us keep our eyes open.

The next morning we settled at a big farm table while Brenda fixed breakfast and Steve served and cleared.  As we chatted I thought, “They really enjoy this.  They like having people here and sharing their stories.” It reminded me that we often end up just where we need to be. If we listen to the right women.

I’d highly recommend Hoot Owl Hill.  There are six large tents.  We had a wonderful time, the three of us, but we couldn’t help thinking what a total blast it would be to have a group of couples or a large group of women. You can find out more here.

The images are mine, except for the middle – photo credit to Sloane Simmons.  I received no compensation for this post.  

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MR in KC

I have been…distracted.  Distracted by a handsome, charming, creative man who came to town at my request.  My copy of Miles Redd’s The Big Book of Chic is always nearby, but for the last six months or so it has lived on my desk and in my bag and on the front seat of my car as we planned a fundraising luncheon at the Nelson-Atkins Museum of Art for which he was the guest speaker.

We had fun.  You will not be surprised that Mr. Redd was a delight and adored by everyone who crossed his path.  “He’s so nice.” “He’s so unpretentious.” Which I knew already.  Miles’s presentation was a visual delight and he was, no surprise, entertaining and engaging.  If there is a run on taxi cab yellow paint this week – and a brightening of living rooms across the city – we will know why.

I have loads of people to thank and will be doing that this week, but a special shout-out here to designer Michele Boeckholt and artist Lee Ernst, both of the Nelson staff, who worked to create a remarkable design for this event starting with the invitation pictured above. You might have seen it on Miles’s Instagram already, but if not you can see it here.

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Bracelets I Cannot Afford

It may not be true that I cannot afford these bracelets as I cannot find them other than in this ad for Armani.  Can you see that they connect by that chain around her neck? I’m completely captivated by the idea of this and the theatrics one could create reaching for a drink, enthusiastically telling a story or laying a hand on a man’s forearm to get his attention.

What’s that? Coat? Gloves? Entanglements? Bother.  If you cannot see that the romance of this would outweigh any chill upon your shoulders, then you are in the wrong place.

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