Del Toro Shoes

I am please to report that the partners of Del Toro Shoes are shipping me what I am sure will be a perfect pair of custom monogrammed velvet slippers. The quality of the shoe was never in question, just a few administrative glitches, so I am giddy to be awaiting a new pair. Mr. Chevallard did let me know that they have found a new manufacturer who provides more consistent sizing; still, fit models are available to ensure you get exactly what you need.

Through the month of July Del Toro will offer Mrs. Blandings readers at 10% discount on their order (just enter “gz” at check-out.) Women’s shoes are available in black, green and blue velvet; men’s choice are the same with the addition of colorful linen. Embroidery choices abound. You could choose this graphic bull if you are gearing up for the American Royal and would like an alternative to boots.

A crisp and clean nautical flag appeals though I rarely put my foot aboard a boat.

Ocean, sporting, collegiate, they have it. Custom is available. Their prices are quite good; $165 for a classic slipper, $185 for a standard embroidery, $195 for custom monogram and $265 for a custom image. It’s a young company, they’ve had some growing pains, but I think they are on the right track. Let me know if you order and if you’re happy when you receive your shoes. I’ll do the same.
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It’s Rude to Stare

I have gone back to look at this image a dozen times. And saved it. And, finally, printed it because I need paper inspiration files. That giant Greek key has me hunting for a yard stick and a paint brush. The flowers! That green! I can’t get enough.

This Steven Meisel image appeared in Vogue in May, 2007; the layout was produced by Grace Coddington, set design by Mary Howard and panels by Sarah Oliphant. My hat is off to all of them. You can see the slideshow here.

From the incomparable Little Augury and her award-winning (well, it should be) post here. The image is
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Davey Gant

A couple of readers have asked about commissioning portraits from Davey Gant (whom I mentioned in a previous posts here.) Gant’s portraits range from $500 – 1500 depending on the size and the specifications of the client. Sittings can last from twenty minutes to two hours; Gant is happy to work from photos as well.

You can see more of his work and contact the artist at his site here.
Image from daveygant.com.
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Wall Flower

Does this have a name? This putting of porcelain on brackets? Some wonderful French bon mot that describes it wrying and succinctly?

My grandmother had a collection of dime store birds that were scattered about her living room, tchotchkes come to roost as if she had scattered glass bird seed on the tabletops. Why not give them higher perches and feather your nest with a flock of cocktails instead?

Only, if I were going to, you know, collect friends fowl or feted, I’d collect David Cleverly’s pottery instead.

Beasts abound and one could easily amass a barnyard’s worth (including and especially pups, which are on my mind as a local shelter has a new litter of Boxers.)

But I think I’d rather turn my wall of brackets into a trophy case of Cleverly’s clever take on historical figures.

Can’t you see them, formally displayed, giggling from behind their glaze?

They usually appear with those furred or feathered which doubles the appeal.
You can find more about David Cleverly Ceramics here, including process and pages of his work.
Images from top, residence of Mr. and Mrs. Vincent Paravicini, from the Millar and Harris Archive, English Heritage, National Monuments Record, from The Great Lady Decorators by Adam Lewis, published by Rizzoli; Hunting Room at Clandon Park, Surry, image from the National Trust, via Toby Worthington’s guest post on Emily Evans Eerdmans’s blog; the remaining from David Cleverly’s site.
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Stage Mom

You know those parents? Those parents on the sidelines whose faces are red, ranting at the coach, yelling at the players, barking instructions at their kids? The ones you think, “Buddy, let it go; you were never going to be a superstar and neither is he. Give him a break.”?
Let me assure you that that behavior has nothing to do with me. It does not relate at all to my emotions when I discovered this sketch and floor plan that my eldest made of a tree house. It did not occur to me at all that his drawing was precise, or that the floor plan actually related to the exterior. I hardly noticed his ingenious use of the spiral staircase, which would be particularly handy in a tree house application.
Or the tiger skin rug. I wasn’t giddy for even a moment about that.
I did notice that there is no lighting plan.
But I didn’t point it out. Because I’m not that kind of parent.
Master Blandings agreed to allow his drawings to be published under the condition that I mention that he is still working on the plan for the second and third floors.
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