Tag Archives: Artists

Have a Seat

The new Fornasetti wallpaper from Cole and Sons is giving the old guy a lot of press. The image, above is from the contents page of Met Home in October.

This image is from Bazaar. That chair rang a bell.

Oh, heavens. Southern Accents does not identify the chairs. The three pairs (one assumes) of knock-out chairs that I can only guess are Fornasetti. The Cricklights are by Samuel Clark. The flowers are ranunculus, green lady’s slipper orchids and leucadendrum berries. “For greater impact.” The berries. Providing the impact. Not a word. No mention of the chairs.

I mean, not that I care. It’s not like I like him or anything. I do not talk about him all the time. I do not like him. We’re just friends.

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Paper, Scissors…Rock!

When I was reading Courtney’s post last week it reminded me of a very heavy decoupage phase I went through when I was first married. As a frustrated artist, I’ve always enjoyed decoupage as you can end up with a really satisfying result and you don’t have to draw anything. Not that I can’t draw, but it just never turns out quite like it is in my head. And I’m not great about practicing. I tend to think my first effort is usually the best.


The beauty of decoupage is, all the skills you need you truly did learn in kindergarten. Basically cutting and pasting. But, it doesn’t hurt to know Durwin Rice.

Durwin Rice is from Kansas City, but took a tour of duty in New York before coming back home. He wrote the book on decoupage. Literally.

Random House is reissuing his book in February (it’s available for pre-order now.) I happen to own a well-worn first edition. It’s basically everything you need to know. So who needs John Derian?

Durwin has a store here in Kansas City. Full of paper and plates and trays and all things decoupage.

He even offers classes. Wouldn’t that be fun? You and a few friends cutting and pasting your way to a great little creation. “Oh, that? Oh, I made it myself.”

Durwin Rice has a storefront on Troost. That might not mean a lot to you if you are not in town. Troost Avenue as a long history as the racial divide in Kansas City. Recently, as happened in the Crossroads District, artists and craftspeople are rediscovering, and resurrecting, Troost.

So, while he’s not doing a spot for HGTV, Durwin Rice is working with a movement called “Tulips on Troost.”

Durwin has provided the front of his shop as bulb storage. He even took one for the team; when I saw him, he had had a nasty run-in with a wayward shovel.

Before.

Last year volunteers planted 70,000 tulip bulbs along the avenue.
Listening to the buzz in the shop on Saturday, it sounds like planting for next year’s blooms is well underway. Volunteers are, naturally, welcome.

This is not what I expected to find when I went in search of Durwin Rice. I thought there would be a bit of good paper, maybe some advice on glue. Someone said to me the other day, “You are not the cynic you think you are; you are always surprised when someone does something unpleasant.” I’m not sure what it makes me that I am equally delighted when I find out someone is doing something wonderful. Not just livening up a living room, but an entire neighborhood.

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The Perfect Gift for the Perfect Host

Hmmm…brown envelope. Something unfortunate for Mr. Blandings?


Heavens, no. That would be unseemly.


It’s a little, no, quite big actually, package from pve design.

Perfection. A lovely host gift for our big city friend. I had no idea how much he loved the one with the mice – his screen saver for weeks, as I understand. These little jewels are especially for him.



I can’t wait to wrap them up and send them off. Our visits there are always special; it’s sometimes difficult to come up with just the thing to let him know how much we enjoy them. Fortunately for me, Patricia Van Essche has an extraordinarily talent; these are spot on. Lucky friend, lucky me.

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Gio Ponti

Until the Thomas O’Brien article in House and Garden, I did not know that Gio Ponti was involved in the production of ceramics. Putting this in print now makes me blush. Ponti trained in Milan and received his degree in architecture in 1921. In 1923 he assumed the position of creative director for Richard Ginoiri and changed the shape of the company. Literally.

The pieces are both modern and primitive. While I’ve chosen all black examples here, he did many in clear glass and color.

It’s interesting to see that diversifying your design genius is not a new idea. Ponti designed sinks and toilets for the line as well.
In the late 1940’s he began to collaborate on furniture productions with Piero Fornasetti. Ponti designed the furniture and Fornasetti applied the decoration. Their collaboration and friendship endured until Ponti died in 1979.

This desk was featured in one of the shelter magazines fairly recently. It made me gasp when I first saw it, but I did not know the significance of the design at the time.

A similar piece is on 1st Dibs as of this post. Fornasetti’s family produces reproductions of certain designs each year.
While the butterflies are captivating, I think I’ll keep my eye out for that inky, matte pottery. Maybe it’s the season, but I can’t get enough of the finish and the funky shapes. Plus, it would add a little tension with the classic basalt ware. Well, I don’t have any of that either. Yet.
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