Bracelet, Janet Mavec.
Bracelet, Janet Mavec.
But one of the things I have always adored about Elle Decor is their willingness to print really unflattering letters to the editor. I can relate to Elaine’s frustration, although not with this particular publication, as I fired off a similar e:mail to another shelter magazine. But longer. And more detailed. I was relating why I was not retaining my long-held subscriber status. Much to my chagrin, I have inherited a new subscription in lieu of my House and Garden. Sometimes the fates are cruel.
Image courtesy of the Washington Post.
The Post also has a weekly newsletter on it’s Home and Garden page. This last week, a brief mention in Janet Bennett’s article doubled my numbers as she was kind enough to include the link.
And, in case you hadn’t noticed, 1st dibs has turned itself into an on-line magazine as well. The content here is some of the best in the business. In addition, previous features remain accessible so, if you have just discovered Maison Jansen, you can enjoy the feature from “past issues.”
Recently, when one of my blogging buddies was wondering if she would prefer working at a shelter magazine to her current profession of interior design, one of the commenters opined that she was, in fact, publishing already. I know that I am seeing some resources on blogs before I am seeing them in print. I doubt the answer will be one or the other, print or electronic. But I do think there is a bit of an evolution afoot. It will be interesting to watch how it develops and see who drives traffic where. Am I buying a magazine because I saw something intriguing on-line? Or am I on-line because I saw something in the magazine? Which came first, the chicken or the egg?
Steven Gambrel, his Hamptons home, Elle Decor.
So, flipping through the much-mentioned vintage magazines, I ran across this:
Uh-uh, wait for it.
The main library of the Carcano estate, Estancia San Miguel, in Argentina. House and Garden, Jan. ’86.
The chintz, en suite, vaulted ceiling and a library to boot. Note the sisal rug with the antelope skin on top. I mean, stop. But then, and here’s the thing – you have to read the articles, don’t tell me you just look at the pictures, I can’t stand it- the article tells me the fabric is a design of Philippe de Lasalle (1723 – 1804.)
We didn’t cover Philippe de Lasalle in my broadcasting classes. So, to the web. Seems M. de Lasalle was a fabric designer and merchant.
Design for silk weaving, with Alter of Love. 18th c. gouache and watercolor, Museum of Fine Arts, Boston.
While little is known of his early life, although he was apparently an orphan, he apprenticed under several silk manufacturers and merchants. He was known for his painterly affect, a artist’s eye for space and balance. As was popular in his day, he used a lot of realistic flowers, birds and insects in his designs.
Les Perdrix (The Partridges) Silk, circa 1771, Metropolitan Museum of Art, New York.
It is a special skill to translate the concept of a painting to a loom. de Lasalle was known for perfecting a technique called point rentre, basically, outlining the figures in black. While he did not develop this relief effect, it helped increase his celebrity.
Silk and linen, for the summer palace of Catherine II, Art Institute of Chicago.
And he was a bit of a celebrity. His friend, Voltaire, recommended his work to Catherine the Great; she commissioned several pieces for the Russian Palaces. One critic claims he was a combination of artist and businessman, catering to a very select high-end clientele.
Seems Jennifer and I are in good company.
A big “thank you” to Megan at beachbungalow8 for taking time away from the sun and sand to offer her kind words today. If you are here, you’ve likely been there, but if not stop by. You’ll like her immediately; I know I did.