Tag Archives: Mrs. B at Home

#@!%&

Math and measuring are a hateful and horrible business.  I wonder at people who find comfort and security in numbers and order, while I am perpetually vexed.  There are fifteen squares in the powder room and I did not execute the meander correctly once.  Each time I had to reconnoiter the bit in the middle.  Each time.

Beyond that, there are tricky parts both behind and beside the toilet and under the sink.  In a perfect world, one would execute such a project free of such obstacles.  It is not a perfect world.  As I found myself lying on the floor wedged between the toilet and the wall maneuvering a yard stick with one hand and a pencil with another, I was reminded of an interlude in the lower berth of a bunk bed in Stillwater, Oklahoma my freshman year of college.  This latest feat, at least, yielded satisfying results and left no lingering notion that looks foretell neither intelligence nor prowess.

Beyond the physical discomfort was the anxiety of making a mistake.  Pencil, of course, can be erased, but inky, black paint on a flat, white wall is the sort of slip that is difficult to undo.  This is where one needs to exercise forethought and caution.  Regardless my focus and enthusiasm, slip I did.  Today I face sealer and more dreaded calculations as I finally hang the silhouettes.  At the moment, from a language perspective, it’s a bit of a PG-13 environment.

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Block Head

The last time I was in New York my friend Michael was telling me, “Today at work I made a reference to Brancusi’s The Kiss and everyone just looked back at me totally blank.”  As they began searching on their phones, trying to put his remark in context he asked, “Do you not know Brancusi’s Kiss?” and someone replied, “Oh, Michael, you know the most obscure things.”

Toiling away in obscurity here as well, I made a new friend.  He reminded me a little of Brancusi’s sculpture, though he is only half of that whole.  A quarter, really, as he’s unable to press against a heady female from shoulder to foot.  He could kiss, I suppose, though honestly, he’s far too timid.  It’s more likely that he’d make a cerebral connection.  A quiet observer, he seems amused by our busy abode.  He is the second sculpture that I passed at first glance and circled back around to collect later.  Sort of the opposite of catch and release.  More satisfying, though.  I’d rather have him in the end than enjoy him for a while and have to let him go.

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Progress Report

These silhouettes have rested against the wall of the overly-large powder room for the past two years.  I mentioned it to someone once and she said, “I didn’t realize that wasn’t where they were supposed to be.” Yes, this can sometimes happen.  They remained, happily at home, after I painted the top portion of the wall (and ceiling, which you cannot see here.)

I showed my eldest, who is both creative and good at math (which I do find admirable, if annoying), the picture of the Greek key and asked him, “Do you think it will be hard?  I mean, for me.  Do you think it will be hard for me?”

He studied the image briefly, never pausing the back-and-forth, back-and-forth of his lacrosse stick and said, “I think that if you think it will be hard, it will be hard, but if you think it will be fun, it will be fun.”  Which was an admirable perspective.  Still, slightly annoying.

So I started Sunday.  Because, hard or not, fun or not, it is nothing if I don’t begin.

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Click

I’m not sure I can describe the visceral reaction that some have to color to one who simply, through no fault of his own, does not.  It’s an electric reaction, a burst really, that I feel as the color, the color, the color comes in through my eyes, saturates my brain and lights in my chest like a firework. “Yes.” The strength of the ‘Y’ and the linger of the ‘S’ – in thought or in word – igniting the thrill of beginning.
Again, Benjamin Moore Galapagos Turquoise, which, with any luck and holiday sanity, will grace the walls of my powder room soon.


PS – reposting because of image errors; forgive me if you’ve seen this twice.
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Animal Attraction

She almost walked right by him, then he caught her eye as she crossed the room.  As she noticed him, he winked and she turned her head, letting him know she was not so easily swayed.  She passed him again and noticed his gaze was steady.  She sensed that he was a little damaged; at this age, who wasn’t?

She walked out the door with her friends, across the street and to the car.  With her hand on the handle, unable to meet their eyes, she said, “I have to go back.  I’m sorry.  I’ll be fast.”  She skipped up the steps, her breath coming quicker.  Her world was so jumbled already, she did not know how she would fit him in it.  What if he were gone?

Her nerves fluttered when she could not find him in the room where she’d seen him last.  Then she turned and he was there.  She could tell there might have been someone else, even in the brief time she had been gone, but she didn’t care.  They left together without exchanging a word.

As he sat beside her in the car, her hand resting against his leg, she imagined that her friends might be envious that he was with her.  She ran her finger across his curls. She was already thinking about how she could change him.

I picked up this Centaur sculpture at Kansas City dealer, Scott Lindsay’s, this weekend.  He is not broken in the middle, as I originally thought, but in fact, swivels, making me love him even more.  I would rather see him on a honed black marble base; if it weren’t for the wear on the paint, which I adore, he might be a chalky white already.

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