Tag Archives: Musings from the Dream House

Hello, Granny

I am a 70-year-old woman in a 43-year-old body.  And I have been since I was 19.  I bought these lamps the other day as combination reward, retail therapy and economic stimulus.  I adore them and have been stalking them for a while.  As I have had a streak of things on my wish/wait list being purchased when I return cash-in-hand, I decided to actually buy these instead of mourn them.  They are not white, but a really lovely celadon to pale blue.  The front hall was dullsville and these seemed the perfect pick-me-up.  Perplexed at the prospect of shades, I stood in the lamp shop yesterday befuddled.  As one option was placed upon the harp I cocked my head and said, “Kinda old lady.”  The lovely woman helping me bit her tongue, but pointedly raised one brow.  
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Great Sets

Maybe it’s because of this, but I’m a little weary of the straight and sleek.

Troubling times call for a little lift.

Follow my mother’s advice – you may not be able to change your life, but you can always change your hair.

A shampoo and set or some such thing.  Some bounce.  An errant curl to toss out of your eye.

Make sure it’s a bit of mess to show you’re not too much of a good girl.  The time is right.
Image, top, January Jones and Jon Hamm from Mad Men used without permission, but much gratitude, from AMC, Ingrid Bergman, Sofia Loren, Grace Kelly and Elizabeth Taylor, all from IMDB.
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I (usually) Love New York

The first time I stayed in New York I did an internship at Nightline for about a month over Christmas vacation my senior year of college. My father lined it up for me as he lined up the lovely and spacious one-bedroom with a view of the Park on Columbus Avenue. I was responsible for the owner’s cat while she was on an extended trip. That’s it. No chores, no fees, just beautiful views and pleasant surrounding. “New York”, I thought, “is great!”

As I was working for Nightline, I went in a bit later and stayed until after mid-night. My parents were crazed that I was walking home from work, but I have never been afraid in New York. The streets were filled with people and the view of folks enjoying their late dinners was a reassuring backdrop. So I walked. I walked up and down Columbus Avenue to work. I walked to see museums and shops. I walked in Central Park.  I loved New York.

I loved New York until I began to see inside the lives of my co-workers. These women were my seniors by only a year or two and they showed me the ropes. My job was to deliver faxes and scripts. This was a time when organizations had one fax machine and its silky rolls would pour forth uninterrupted  pages and they would have to be divvied up and delivered to the recipients. So these smart and savvy women showed me where to deliver the faxes and where to go out at night. They were working untold hours and begging for overtime to make their rent. One night, before heading out, we stopped by one woman’s apartment. She was living with three other women in a “one bedroom” slightly smaller than a walk in closet. The bedroom contained two sets of bunk beds. “How’s that working out?” I queried, peering around the corner. “We’re always at work so it doesn’t matter much.”

That one phrase started an early-life crisis that consumed the next five years. In broadcasting you have basically two choices at the beginning of your career; toil away in small towns for years, hopefully moving to increasingly larger markets every two years or so, or begin at the bottom of a barrel you cannot even imagine in a larger city and work up. I had thought the bottom-of-the-barrel New York route seemed the way to go. While my father had the connections to make the job happen, I was lacking both the independent wealth to sustain the lifestyle I’d envisioned and the drive to ignore my lifestyle while I pursued my career. My folks did not really want me in New York anyway, so when I said, “I’m not sure this is for me,” they said, “Great.”

But there is something about that city. I keep going back. Mr. Blandings does not really enjoy New York. Shortly after our big city friend moved there we went to visit. It was Mr. Blandings’s second trip. The first was a family vacation over Thanksgiving when he was in high school. They stayed at the Plaza. To hear the story you would think his parents had carted him off to do  missionary work in Central America. When we went back, together, in 1999, he thought it was better. Clean and exciting and fun. Except for the buildings and the cars and the people.

Now when we go together we’ve worked out an unsuccessful compromise. Short, two days at most. Mr. Blandings thinks this is all he can manage, but what really happens is that I am dashing and hurrying and compromising what I want to see the whole time and the trip has a frenetic feeling. When we leave I have a list in my head of all I was hoping to see and didn’t, sometimes including friends, and he is exhausted and out of sorts and convinced that New York is hell on earth except for the food.

The last two times that I’ve been I went alone. My big city friend, generous to a fault, opened his home both times. The first trip was magic. Everything fell into place. I met people, saw places, had fun.

The latest trip was different. Less magic, more life. In fact, I fell down. In every sense of the word, but I did actually fall down. My big city friend lives in the West Village. The geography of New York has been challenging to me, but this last trip I tried to untangle its neighborhoods and realized that mostly, it’s pretty simple, except for the neighborhood that has been my home base. As a friend said, “It’s all a grid, except in the Village where it all starts to squish.” Exactly.

Anyway, in an effort to find my way, I was walking everywhere despite the frigid temperatures. My first day, after leaving Kansas City at 5 a.m., I walked all day, until nearly midnight in boots with three inch heels. Piece of cake. Nary a stumble. The next day, all mine for shops and galleries and no meetings of anyone new, I donned my Chuck Taylors and headed out again. Starting one way, then realizing my instinct was wrong, I corrected. It was a convergence of four or forty streets, I can’t remember quite clearly, but as I crossed one, headed to an isolated triangular island of the next, the toe of my sneaker caught a slight heave in the sidewalk right where it meets the curb. 

I have a very clear memory of the mental process of the fall. I felt quite sure that my left foot would do its job. It never gets to lead, is always the number two guy, but the one you want in a pinch, like this, when the right foot screws up. The left foot is always the one who makes the catch, comes down sure and solid, resulting in an awkward stumble, but not a full on fall. Except in this case, where I guess the momentum of my springy-happy-to-be-in-New York step carried me right over the left foot as well. (I’m quite sure he’s still stunned by this and is seeking counseling.)

If you had seen me, I would have looked like I was sliding into second. Both arms fully extended in front of me. A little bit of air. Then down with a brief skid. There is that moment when you can’t move just yet. Mentally you are assessing your injuries. The responsible toe? Fine behind the cap of rubbery plastic. Knees, thankfully uninjured as they are the weak link at this point anyway. Hip. Yes, horrific, legendary bruise forming already. And hands. Fortunately, clad in snappy red leather, the hands themselves were fine, but slightly stinging. The snappy gloves, in comparison, bore cement burns. The realization of which led to a quick roll to the right. Thank heavens, the bag was spared.

And then, I had to stand up. I hadn’t realized until that moment that it is actually better to be with someone when you fall down. If you are with someone, there is someone there to absorb a bit of the experience with you. To ask you if you are ok. To distract you from the looks of passers by. Someone whose arm is available to grab while you bury your head in his shoulder

Mr. Blandings was horrified when I told him my tale, of course. “Didn’t anyone stop? Didn’t anyone ask you if you were alright?” Evil New Yorkers. But it wasn’t like that and it isn’t like that. When I did the internship over twenty years ago I realized one-on-one New Yorkers are like anyone everywhere. Helpful if I needed directions. Generous with their time and knowledge. Gracious in their willingness to entertain. It’s en masse when it’s different, when the gal in cosmetics turns away with a look of disdain when you don’t’ know what shade of powder you need at her crowded counter on December 23rd. But the fact was, there wasn’t anyone on that island where I had taken my spill. Nor, oddly on the next. So I stood up. And I walked. But I did have that feeling of being distinctly alone. And slightly bruised.

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To Twee or Not to Twee

I just read a friend’s blog post describing her back and forth with Valentine’s Day.  Commercial, jaded and grown-up v. romantic, inspired and whimsical.  Most of us experience a little of both.  I love having fresh flowers in the house but flinch when presented with a florist’s bouquet on Valentine’s Day as I know the cost, while equal to the sentiment, was inflated.  Especially with roses.  So, while my male readers may be small in number, I offer some advice.
Choose another flower, one that can be purchased reasonably, sometimes at the market, and make your words your gift.  It is often tricky to say something sappy aloud, especially if your relationship has progressed pass the first bloom.  It is much easier to write.  

Tell her she is as feminine and complex as French anemones. (Let me stress complex. Don’t get muddled and say complicated as this will surely start a row.)

Tell her your heart bursts with the joy of lilies each time she enters a room.

Tell her she is as elegant and fresh as the day you married her with an all-white bouquet as a reminder of her bridal gown whether you saw it sixteen years ago or sixteen months ago. 

Tell her the bend in the stem of the tulip reminds you of the curve of her neck as she leans over the crib.


Or take her a fistful of color wrapped in ribbon and tell her how happy you are that you are bound together.  The flowers will enchant her in the short term; the note, which surely if she is a woman worth having, she will keep forever.  And every time she finds it tucked in a drawer she will feel the blush of this Valentine’s Day all over again.

You might even get lucky.

Images from top: roses, unknown, but I think House Beautiful, French anemones – which are not inexpensive, I don’t think, but beyond beyond- Vogue, lilies and Todd Romano Elle Decor June-July 2001. Photo by Pieter Estersohn, white bouquet, hmmm..no idea, tulips, unidentified H&G, tulips, again, Southern Accents some time ago.  Clearly, my entertaining file could use some due diligence.  This last arrangement I have used again and again in a tea caddy with both colorful flowers and all white.  Pretty, and pretty easy.
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Sandy’s Circus

Yesterday I left the combined comfort and frustration of the world wide web and sought research information for my latest article at the library.  Libraries are rooms filled with books and people looking for things in books.  I should go there more often.  Except I do get distracted.  I left with books filled with information pertinent to the article, which sit, patient, on the kitchen counter, and a book on Alexander Calder by Jean Lipman which is happy to be open and active.  
I brought the book home “for the boys” as I had regaled them with stories of the circus at the Whitney, both Calder’s and the Sunday crowd.  We’ve gone on-line to see a bit more and the middle boy received Sandy’s Circus for his ninth birthday.  Our middle child is a creative thinker.  He draws a lot.  Sometimes he just draws Star Wars and battles and race cars.  But sometimes he sees a picture in his head and he draws it by color.  He will take the red marker and draw all the lines or sections that require red.  Then blue.  Then black and whatever else and as you watch him you can’t always see what the picture will be until the last color is added to the page and his vision is revealed.  This one, the middle one, gets books about art and artists and origami and clay. 
We took him to see a Chihuly exhibit in a small gallery in Colorado one summer.  As we left he asked for clay.  Immediately.  I complied.  When we got back to the house I advised him to pick one color and save the rest for another day.  The clay would dry out, we wouldn’t want to use it all at one time, that would be wasteful.  “I have to open them all.”  Blink.  Think.  Blink.  “Fine.” And while I moved around the house doing things that mothers do, picking up, putting away, stacking and murmuring, expecting to come back to find a red pot and a blue bowl and a yellow dish he had mushed the clay all together.  It swirled and leaped with pattern and color with veins like marble.  All bowls, but some low and squat, some tall and thin, but all asymmetrical many with fluted and ruffled edges.  And when he was finished, when he had used all the clay, he walked away and has never asked for any again.
A couple of years ago I called his art teacher at school to see if she could suggest an art class that he might like.  “It’s not that I think he’s gifted or anything, I just want him to have the opportunity to do what he wants to do” which is generally not math or spelling or sitting still.  This woman, whom I respect, who goes in everyday and teaches art to those who are interested and those who are not, listened politely.  I’m quite sure she had her head in her hand and her eyes closed as she held the phone and heard my anxious plea for an outlet for my artistic genius.  Who was six.  “Patricia, the best thing you can give him is a well-stocked art cabinet.  Just let him have fun.” 
So last night as we lay in my bed, at loose ends as we had finished reading the last of the Harry Potter books aloud on his ninth birthday, we looked at this big book on a man named Sandy whom I keep talking about and mentioning and showing.  “Look, see how it all balances?”  “Did you notice he used mostly black, white and primary colors?”  “Don’t you think it would be great to have a work room like that?”  Then we came to a page that had a man on stilts from the circus and he asked, “What are those wires?”  “Well, maybe that is what he needed to move the man for his act in the circus.”  “Maybe.  Or maybe they are the shadows.”  Who is teaching who?
When asked, “Presuming that you as an abstract artist are drawn to nature by certain eternal qualities or forces sensed there, would you say that your work is a predominantly subjective expression of your personal relation to these qualities and forces?” Calder replied, “I just do the best I can.”  From Calder’s Universe by Jean Lipman.
Photo, also from the book, by Marvin Schwartz.
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