Tag Archives: Vintage Design

Monticello


I was a bit conflicted about yesterday’s post. I felt like it needed to focus on Washington, as, sometimes, I’m a bit of a purist. But my favorite president, when it comes to design anyway, is Thomas Jefferson.


Cliche, I know. It’s not as if I was the first to notice his deft hand at balance and scale. But mostly I like Jefferson because he was a thinker. His home reflects his ability to discern what he believed to be good and still allow the influence of others. He married what he thought an American home (estate) should be, while allowing the best of what he had discovered in Europe to creep in.


The entry hall reflected his interest in natural history, containing fossils, antlers, artifacts and the seven day clock of his own design.

Jefferson began designing Monticello when he was 25. He followed a standard, readily available pattern book. Construction began two years later in 1770 and continued for the next fourteen years. (And you thought your kitchen remodel took a long time.) Then he went to France.


The tea room connects to the dining room with sliding doors to accomodate larger parties. The plaster busts are Benjamin Franklin, Lafayette, John Paul Jones and Washington.

French architecture was a defining influence and he remodeled Monticello extensively to include the elements of design he learned there.

Ah, the enfilade, which ends with the view of Jefferson’s desk – designed to be used while standing – and leather chair.


The frieze, above, was part of the plaster work of the dining room (below.) The motif alternates with one of cattle skulls to represent Jefferson’s interest in agriculture and his working farm.


Clearly, Jefferson was focused on detail. Blue and white jasperware is inlaid in the chimneypiece.

The study, including the walnut bookstand of Jefferson’s design.

Jefferson’s bedroom connected to his study and the bed was tucked into an alcove between. The skylight provided an additional source of light; the portholes provided light and ventilation to a storage loft on the mezzanine.

That should be enough, right? He sketched his own curtains. How can you not love a president who sketches his own curtains?
All images House & Garden, April, 1993.
rssrss      FacebooktwitterpinterestlinkedinmailFacebooktwitterpinterestlinkedinmail

First Things First

Kids home from school? Loved one stretched out on the sofa asking, “What’s for lunch?” We owe it all to Washington and Lincoln. Seems appopriate. The first of anything gets a lot of press and freeing people from slavery, well, yes, definitely vacation-worthy.

But, that’s not really what we’re about here. In order to really impress our discerning crowd, we need a little peek at your digs.

Welcome to Mount Vernon.  George Washington called his home “a well resorted tavern” because of its many visitors and guests.   The image, above, is the Little Parlor and housed the harpsichord that Washington imported from London for his granddaughter.  Is that rug looking a little Hicksian to you?


In the image of the Little Parlor, you can glimpse the Large Dining Room, shown above.  The room is grand and formal and clearly reflects the influence of Robert Adams.  This is half of the view of this side of the room; a mirror image completes the picture.  As an aside, every room in the first house that Mr. Blanding’s owned was painted this color.  Except for the one with the knotty-pine paneling.

The West Parlor is the same Prussian Blue of Washington’s day.

The room reflects the 18th century fashion of arranging furniture around the perimeter of the room.


The pine-paneled study was finished with faux bois painting to make it appear richer.

The Small Dining Room with Chippendale ladder-back chairs.

The Lafayette Bedroom, so named for its frequent guest, is cloaked in a fabric by Brunschwig & Fil.

Quarters like this, on the third floor of the house, were used by family members when guests occupied their rooms.  If I were staying at Mount Vernon, I would have let the grandchildren snuggle up in their own beds.  I’d gladly take the upstairs room with the jazzy turquoise trim, black door and rush flooring.
Speaking of “grand” children, I need to get mine out the door.  They’ve been fluctuating between presidential pronouncements and complaints of their confinement all morning.  I need to get a look at that Emancipation Proclamation.

All images House & Garden, August, 1985.
rssrss      FacebooktwitterpinterestlinkedinmailFacebooktwitterpinterestlinkedinmail

Clinton White House

West Sitting Hall. Clinton retained Nancy Reagan’s yellow curtains. It appears Bush might have done the same. Further confirmation that yellow curtains are a good idea.
Now, before you get yourself all worked up, I’m just posting a little history here. A while back, Courtney was pondering which designer each Presidential (U.S.) candidate might choose to personalize the White House.

We do have a bit of insight into Clinton’s style, as she’s been there before. Then Mrs. Clinton, now Senator Clinton, invited House Beautiful to see how she and the President had transformed certain rooms for their tenure.


The Oval Office.
Louis Oliver Gropp’s letter reads much like Paige Rense’s letter in this month’s Architectural Digest. Apparently, when they are ready, they just ring you up. Seems our current First Lady has been working on a bit of re-do herself. Stealthily, I mean “quietly,” Mrs. Bush has been working a little spit and polish. Her rooms are lovely, you can see them yourself on-line, and I hope someone captures me looking that adoringly at Mr. Blandings just once in my life.

Anyway, Mrs. Clinton employed the services of Arkansas designer Kaki Hockersmith. One wonders if she would get the nod again; Senator Clinton could call up the services of a dozen of the country’s top designers today and not have to make a toll call.

The Lincoln Sitting Room.

We’ll wait and see. The antique dealers here are telling me, “I pray for someone like Jackie. Jackie was great for business.”
The Treaty Room, the President’s study.

All images, House Beautiful, March, 1994.
rssrss      FacebooktwitterpinterestlinkedinmailFacebooktwitterpinterestlinkedinmail

Eight is Great

These were the dishes in my mother’s house while I was growing up. The plates and bowls, too, were octagonal. Even cocoa was served in these elegant cups. I can still feel that angular handle on my first two fingers. I stumbled upon them not long ago in a dusty antique mall. Ironstone International. An inexpensive pottery. I’ve seen it in yellow and white, and while I think I want it, I never commit so something must be holding me back. But it’s not the shape. The shape, I adore.

David Hicks for John Panchaud, David Hicks, Designer.
My parents got divorced when I was eight (hmmm….) When my mother moved back to her hometown, she took the opportunity to re-invent herself a bit. I recently added David Hicks: Designer to my library and I can see that her new home was greatly under his influence. And Hicks, well, he liked an octagon.

David Hicks for the Duke and Duchess of Abercorn, their home, Baronscourt, David Hicks, Designer.
Mr. Hicks sketched enthusiastically and was influenced by tiles and frescos and murals in his grand and grander tours. Geometric shapes, including the octagon, pop up frequently in his work. (Get it? Pop?)

Steven Gambrel had a vintage Hicks carpet in his apartment featured in House and Garden.

Michael Smith incorporates these octagonal, in-laid tables in a lot of his designs.


Michael Smith, Michael S. Smith, Elements of Style.
And you certainly don’t have to keep them on the down-low. Octagons work beautifully incorporated in mirrors…

Eric Cohler, featured in Inspired Styles.
and lighting.
Stephen Sills and James Huniford, a midwestern home, Dwellings, Living with Great Style.

If the vintage Hicks carpet is not in your budget, these Barbara Barry octagonal vases would glam up the sideboard in a heart beat. (What say, Valentine?)

Barbara Barry featured in, Inspired Styles.



Rose Tarlow, The Private House.

I must say, Rose Tarlow tops the heap with this table. Rose herself says this table, originally from Kew Gardens, England, “is one of the most rare and facinating pieces of furniture” she has ever discovered. And, Rose, she knows.


While I can’t commit to the dishes (do you think there is some pent-up memory of scrapping, loading and stacking?) this little Cowtan & Tout number (Beverly, Canary) never seems to make it out of my memo bag. It goes well with cocoa, too.

rssrss      FacebooktwitterpinterestlinkedinmailFacebooktwitterpinterestlinkedinmail

Hicks Tops Kelly’s Tricks

Mr. Blandings, on several occassions, has had to remind me that I’m not always right. I do think eldest girls come by this a bit naturally and I’m sure my sister would agree.

But when we played the dining room curtain game, a few folks were concerned that the brown and white and yellow were a little bit trendy. Maybe so-five-minutes ago. A particular L.A. designer’s name might have been mentioned.


So, it’s not so much that I need to be right, as much as I need to clarify the vision. While I was looking for Mr. Britt’s beach house night before last (I must get my tear sheets organized!) I ran across this David Hicks layout from House Beautiful, March 1998.

Hollywood Regency was not on my radar screen when the concept was born. David Hicks and Mark Hampton sat down at the table of my imagination and dreamed it up. Of course, I wish I could edit like this. Every piece a sculptural statement.

Hicks had taken a break from decorating and had been working on garden design. This was a re-design or his home in Albany.

He wanted to make a statement, “Bold, stark, disciplined.” I have tried to make that statement on occassion and it often just looks like I don’t have any stuff. Cold, bare, boring.

I need a pair of something flanking the bay. I’m not sure it’s gilded eagle console tables, but maybe. I dig this room so much I can barely stop looking at in. The purple trips me up a bit, but he is design royalty after all.

rssrss      FacebooktwitterpinterestlinkedinmailFacebooktwitterpinterestlinkedinmail