Tag Archives: Vintage Design

Peppermint Twist

Custom cabinetry aside, this handy little paint trick has me falling right in line.


“Why not?” said Henry B. Swap. “Why not?” said Mrs. McGillicuddy.

“Why not?” said all the people.

Why not, indeed, snappy designers have been doing it for ages.

Marian McEvoy lined them up with Sharpie.

Suzanne Rheinstein colored outside the lines with this eye-catching display.


And don’t feel confined to handwriting on the wall, you can easily outline your objectives on the furniture, too.
Image, top, designed by Steven Gambrel in Elle Decor, January/February 2010, photography by Eric Piasecki; the lines on this doorway are blue, as is the railing atop those very jazzy lucite balustrades (ala current style setters Alexis and Trevor Traina), design by Baldwin & Martin. Hmm…Baldwin & Martin again with the diamond mine, and a twist of orange by Mallory-Tillis all from HG’s Complete Guide to Interior Decoration, 1960. Marion McEvoy from Rooms to Inspire, photography by Tim Street-Porter as is Rheinstein’s black and white and red all-over by painter Paulin Paris. And, once you are finished admiring the lovely Modigliani, do click the image, bottom, to admire the refreshing red sorbet popping against the pink carnations and fizzy cocktail from Mr. and Mrs. Frederick Mann’s Philadelphia apartment featured in House & Garden in 1953 from The Well Lived Life by Dominique Browning. Pieces of the text refer to Mike Mulligan and His Steam Shovel.
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The Significance of Chintz Curtains

Many years ago, when Mr. Blandings and I were first married, we went out to dinner with his father and step-mother.

Mr. Blandings the elder is old school. He mostly likes things the way they are, or rather, the way they have always been.


In a cozy restaurant on a winter evening we began to discuss a club to which the elder Mr. B belonged. I made an off-hand and stinging comment about the policy of having a separate dining room for women during the lunch hour.

As often happens, small sparks start large flames and he and I were heatedly engaged as our spouses stared quietly into their soups. In a firm voice he finally proclaimed, “When I am eating my lunch I do not want to sit next to a table of damn women talking about chintz curtains!”

As my Mr. Blandings felt my muscles flex to rise he put his hand on my knee and leaned in to say, “It’s cold and they drove.” We stayed. No one ordered dessert.

After seventeen years I better understand the roots of tradition and the minefields of dinner conversation. I am, however, still mystified that someone would not want to join in a conversation on chintz curtains as I find them irresistibly divine.
Images of Cecil Beaton’s home, Reddish House, from Architectural Digest Celebrity Homes, 1977; photography by Beaton. The Aesthete posted on Reddish yesterday. I had already written this and should probably have pitched it. Sadly, I’m too lazy.
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More Whitcomb

An astute reader commented about David Whitcomb’s apartment this week. Seems he had a pretty jazzy house upstate as well.

I flipped back through the New York Times Book of Interior Design and Decoration to see if it was in there.

No. But! There were a few photos of the apartment Whitcomb lived in following this one.

Do I love those black stripes on the moulding against the yellow walls? You know I do.

But I digress. The transition from one space to the next seemed to fit with the post at the beginning of the week about the two Albert Hadley projects.

It’s an interesting shift and I think one that many people who have an affinity for design would envy. Many of us wish we had a way to explore all the facets of design that appeal.

It’s also a fun “I Spy” game to see what moved from one spot to the next and how. These benches, which seem made for the space actually appear in the first living room.

The asymmetrical balance of this room is particularly appealing. (Let’s do just ignore that headboard.) As for the country house, Toby Worthington (another astute reader) knew (of course) where it had been published and the book is on the way.

This is from another Whitcomb project. I couldn’t help but post it. That linear latticework and the shutters are so chic. And the chintz. Terrif.

Whitcomb’s apartments photographed by Daniel Eifert. The sun room was photographed by Robert Perron. All images from New York Book of Interior Design and Decoration.
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More Summer DIY

Recent mentions here and here of covering furniture in paper made me sit up and take note of this desk from designer David Whitcomb’s townhouse in The New York Times Book of Interior Design and Decoration. Whitcomb used a small pattern to jazz up the simple Parsons-esque lines.

Which reminded me of Courtney’s reference to Nick Olsen’s Ikea coffee table photographed by Paul Costello for domino. Nick’s tips for such a project? “The pros use wallpaper paste but I slopped on rubber cement! I like it because you can reposition more easily and it’s not water-based so thin paper (like the marbleized stuff I used) doesn’t warp or wrinkle.”
More handy tips and design musings from Nick here and here. Because one blog is never enough.
The Whitcomb image by Daniel Eifert.
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